Issues : EE revisions

b. 1

composition: Op. 10 No 7, Etude in C major

in A

in FE1

in FE2

in EE3

in EE4

..

In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and dedication (in EE) most probably come from the editors. See Etude in C, No. 1, bar 1.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Dedications , GE revisions

b. 1-2

composition: Op. 10 No 7, Etude in C major

Fingering in A

FE (→GE)

..

In the main text we give the fingering in the R.H. written by Chopin in A and then completed in a proofreading of FE (→GE). In EE the fingering was carefully completed by Fontana, also in the L.H.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 2

composition: Op. 10 No 7, Etude in C major

Slur in A & EE

No slur in FE (→GE)

..

In FE (→GE) the slur over the part of the R.H. was omitted. The sign was added in EE.

category imprint: Differences between sources

issues: EE revisions , Errors in FE

b. 3-4

composition: Op. 10 No 7, Etude in C major

No fingering in A (→FEGE)

Fingering in EE

..

The entire fingering in EE was added by Fontana. In the part of the R.H. it naturally stems from the fingering given by Chopin as a template in bar 1.

category imprint: Differences between sources

issues: EE revisions

b. 5-14

composition: Op. 10 No 7, Etude in C major

No slurs in A (→FEGE)

Seven slurs in EE3

Ten slurs in EE4

..

The whole-bar long slurs of EE are an arbitrary addition of the reviser who simply copied the authentic slurs from bars 1-4. The revision includes bars 5-11 in EE3 and in EE4 also bars 12-14.

category imprint: Differences between sources

issues: EE revisions