Issues : Authentic corrections of FE
b. 1
|
composition: Op. 10 No 7, Etude in C major
..
Chopin changed the prescribed tempo of the Etude twice: in A he deleted Presto and wrote Vivace, while in a proofreading of FE (→GE,EE), he slightly reduced the metronome tempo. Cf. changes of a similar nature in the Etudes in E major, No. 3 and C minor, No. 12. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Changes of tempo markings |
||||||
b. 1-2
|
composition: Op. 10 No 7, Etude in C major
..
In the main text we give the fingering in the R.H. written by Chopin in A and then completed in a proofreading of FE (→GE). In EE the fingering was carefully completed by Fontana, also in the L.H. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
||||||
b. 3
|
composition: Op. 10 No 7, Etude in C major
..
The f1-g1 second in A is most probably the original version of the 3rd semiquaver. In analogous bar 36 Chopin changed it to an f1-b1 fourth already in A. The traces of corrections are also visible in bar 3, yet the f1-a1 third was removed, probably written by mistake. In bar 11, in which the 1st phrase appears one octave higher, the f2-b2 fourth is immediately written in A. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Authentic corrections of FE |
||||||
b. 3
|
composition: Op. 10 No 7, Etude in C major
..
The tie sustaining c was added in a proofreading of FE (→GE,EE), undoubtedly by Chopin (he introduced an identical addition in analogous bar 36). category imprint: Differences between sources issues: Authentic corrections of FE |
||||||
b. 3-4
|
composition: Op. 10 No 7, Etude in C major
category imprint: Differences between sources issues: Authentic corrections of FE |