Rhythm
b. 3
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composition: Op. 10 No 7, Etude in C major
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The tie sustaining c was added in a proofreading of FE (→GE,EE), undoubtedly by Chopin (he introduced an identical addition in analogous bar 36). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 4-12
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composition: Op. 10 No 7, Etude in C major
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In bars 4 and 12 additional crotchet stems were omitted in the editions, perhaps due to a misunderstanding of A by the engraver of FE. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 13
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composition: Op. 10 No 7, Etude in C major
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Lack of the dot extending the minim is probably Chopin's oversight – cf. bars 5 and 34. Undoubtedly, a mistake of this kind happened to Chopin in bar 46. category imprint: Editorial revisions |
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b. 22
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composition: Op. 10 No 7, Etude in C major
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In FE the dot extending G was omitted, as a result of which the bar in the L.H. has only 11 semiquavers. It is either a simple oversight (cf. bar 26) or a result of a misunderstanding at the time of proofreading (the wrong dot was removed? – see the adjacent remark). The mistake was corrected both in GE and in EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 26
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composition: Op. 10 No 7, Etude in C major
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FE overlooks the dots extending the octave in the L.H. This patent error is absent in both A and the remaining editions. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |