Fingering
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b. 1-2
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composition: Op. 10 No 7, Etude in C major
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In the main text we give the fingering in the R.H. written by Chopin in A and then completed in a proofreading of FE (→GE). In EE the fingering was carefully completed by Fontana, also in the L.H. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 3-4
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composition: Op. 10 No 7, Etude in C major
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The entire fingering in EE was added by Fontana. In the part of the R.H. it naturally stems from the fingering given by Chopin as a template in bar 1. category imprint: Differences between sources issues: EE revisions |
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b. 7-8
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composition: Op. 10 No 7, Etude in C major
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The entire fingering in EE was added by Fontana. In the part of the R.H. it naturally stems from the fingering given by Chopin as a template in bar 1. category imprint: Differences between sources issues: EE revisions |
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b. 15
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composition: Op. 10 No 7, Etude in C major
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The fingering of EE is Fontana's addition. category imprint: Differences between sources issues: EE revisions |
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b. 16-18
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composition: Op. 10 No 7, Etude in C major
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In the main text we give the fingering in bar 17, added by Chopin in a proofreading of FE (→GE). In EE Fontana added similar indications also at the beginning of adjacent bars. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
