Issues : Authentic corrections of FE

b. 45

composition: Op. 10 No 7, Etude in C major

No sign in A

 in FE (→GE,EE)

..

The  hairpins added in a proofreading of FE (→GE,EE) should be considered to be authentic.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 46

composition: Op. 10 No 7, Etude in C major

..

In A there is no dot extending the minim, which is a patent error, corrected in FE (→GE,EE).

category imprint: Differences between sources

issues: Rhythmic errors , Errors of A , Authentic corrections of FE

b. 48-51

composition: Op. 10 No 7, Etude in C major

..

In A there is no  before the bottom note of the last octave in bar 48. The  and the  before the bottom notes of the 4th and 5th octaves in bar 51 are also missing. These patent oversights were corrected in FE (→GE,EE).

category imprint: Differences between sources

issues: Accidentals in different octaves , Authentic corrections of FE , Inaccuracies in A

b. 49-51

composition: Op. 10 No 7, Etude in C major

..

The cautionary naturals before the c-c1 octave in bar 49 and C-c in bar 51 were added in FE (→GE,EE).

category imprint: Differences between sources

issues: Cautionary accidentals , Authentic corrections of FE

b. 49-51

composition: Op. 10 No 7, Etude in C major

..

The cautionary naturals before f1 in bar 49 and in bar 51 were added in FE (→GE) and EE4. The accidental in bar 51 is also included in EE3.

category imprint: Differences between sources

issues: Errors in EE , Cautionary accidentals , Authentic corrections of FE