Issues : GE revisions
b. 37-39
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composition: Op. 10 No 7, Etude in C major
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A (→FE→EE,GE1→GE2) has naturals before b1, the upper note of the last semiquaver in bars 38-39. The unnecessary accidentals were removed in GE3 (→GE4), yet adding a before b1 at the end of bar 37, more justified from the formal point of view. Moreover, in the sources there is also an unnecessary before the first c1 in bar 38. In the main text we do not include any of these signs. category imprint: Differences between sources issues: GE revisions , Cautionary accidentals , Last key signature sign |
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b. 42
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composition: Op. 10 No 7, Etude in C major
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We add a cautionary before c3 at the end of the bar. The addition was already performed in GE2 (→GE3→GE4). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 47
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composition: Op. 10 No 7, Etude in C major
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We consider the lack of slurs in A (→FE→GE1) to be Chopin's oversight. The revisers of EE and GE2 (→GE3→GE4) were of a similar opinion, as they added the slurs (and an accent). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 47
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composition: Op. 10 No 7, Etude in C major
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In the main text we do not include the accent, added in EE and GE2 (→GE3→GE4) by analogy to bar 45 (together with the slurs). The accentuation of these bars can be different, as they also differ in dynamic indications – in bar 47 there is no mark, added during a proofreading of FE in bar 45. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 48
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composition: Op. 10 No 7, Etude in C major category imprint: Differences between sources issues: GE revisions , Wedges |