Issues : EE revisions
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b. 15
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composition: Op. 10 No 7, Etude in C major
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In A (→FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A |
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b. 16-18
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composition: Op. 10 No 7, Etude in C major
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In the main text we give the fingering in bar 17, added by Chopin in a proofreading of FE (→GE). In EE Fontana added similar indications also at the beginning of adjacent bars. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 18
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composition: Op. 10 No 7, Etude in C major
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In the main text we suggest to add a slur after similar bar 20. The addition, probably on the same basis, was already performed in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 19
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composition: Op. 10 No 7, Etude in C major
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Lack of the staccato mark in the middle of bar 19 in A (→FE) should rather be considered to be an inaccuracy. On the other hand, it is not certain which of the signs that appear in this fragment – dot or wedge – would have been used by Chopin if he had noticed this deficiency. In the main text we give preference to the wedge, as Chopin added this sign, while proofreading similar bar 17 in FE. The signs were added by the revisers of GE and EE – wedge in GE1, dot in EE and subsequent GE,s. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 22
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composition: Op. 10 No 7, Etude in C major
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In EE Fontana added the fingering in the R.H. and completed Chopin's indications in the L.H. category imprint: Differences between sources issues: EE revisions |
raising f2 to f
