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Issues : Inaccuracies in FE
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b. 24-25
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composition: Op. 10 No 7, Etude in C major
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The shorter slur of FE (→GE,EE) is almost certainly a result of misunderstanding of A – the right ending of the slur mingles with the category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 32
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composition: Op. 10 No 7, Etude in C major
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The assignment of the accents either to the right or left hand is unclear in A. According to us, the signs refer to the L.H., as in bar 29. In GE3 (→GE4), the 2nd sign was shortened to the form of a common accent. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |
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b. 33
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composition: Op. 10 No 7, Etude in C major
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Omission of the additional stem extending g in FE (→GE,EE) is probably a result of the engraver's distraction. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 35
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composition: Op. 10 No 7, Etude in C major
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In the main text we do not consider the category imprint: Interpretations within context; Differences between sources issues: Long accents , Inaccuracies in FE |
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b. 39
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composition: Op. 10 No 7, Etude in C major
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The long accent, written in A over the 3rd semiquaver in the R.H., was placed between the staves in FE (→GE1,EE, in the latter rather a short accent), so it can be interpreted as referring to both parts of the hands or only to the L.H. In GE2 (→GE3→GE4) the mark was changed to a short accent, clearly referring to the c minim. In the main text we give the accent between the staves modelled on FE, which in a certain manner previews the accents in the following bars. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |
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