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b. 46
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composition: Op. 10 No 7, Etude in C major category imprint: Differences between sources issues: Rhythmic errors , Errors of A , Authentic corrections of FE |
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b. 46
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composition: Op. 10 No 7, Etude in C major
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The slur embracing the progression of thirds in the L.H. was overlooked in FE (→GE). The mark was added in EE, probably in analogy to bar 44. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 47
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composition: Op. 10 No 7, Etude in C major
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We consider the lack of slurs in A (→FE→GE1) to be Chopin's oversight. The revisers of EE and GE2 (→GE3→GE4) were of a similar opinion, as they added the slurs (and an accent). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 47
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composition: Op. 10 No 7, Etude in C major
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In the main text we do not include the accent, added in EE and GE2 (→GE3→GE4) by analogy to bar 45 (together with the slurs). The accentuation of these bars can be different, as they also differ in dynamic indications – in bar 47 there is no category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 48
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composition: Op. 10 No 7, Etude in C major
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The fingering of EE is Fontana's addition. category imprint: Differences between sources issues: EE revisions |
mark, added during a proofreading of 
