mUltimate Chopin

Op. 10 No 7, Etude in C major

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b. 35-36

composition: Op. 10 No 7, Etude in C major

Slur in A (→FE→GE,EE3)

EE4
..

The slur of A (→FE→GE,EE3) reaches only the last quaver in bar 35. In the main text we suggest a slur modelled on the slur Chopin extended in A in analogous bars 2-3. A similar modification was already introduced in EE4.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 35

composition: Op. 10 No 7, Etude in C major

 in A

No sign in FE (→GE,EE)
..

In the main text we do not consider the  mark, written in A under the part of the L.H. The mark was omitted in FE (→GE,EE), probably by mistake, yet Chopin added a long accent over the a quaver in a proofreading of FE, which, according to us, should be treated as a replacement of the hairpins of A.

category imprint: Interpretations within context; Differences between sources

issues: Long accents , Inaccuracies in FE

b. 35

composition: Op. 10 No 7, Etude in C major

No mark in A

Accent below R.H. part in FE (→GE,EE)

Accent on a proposed by the editors
..

The long accent was added by Chopin in a proofreading of FE (→GE,EE). However, the mark was printed under the part of the R.H., which is almost certainly a misunderstanding.

category imprint: Interpretations within context; Differences between sources

issues: Long accents , Authentic corrections of FE

b. 36

composition: Op. 10 No 7, Etude in C major

..

In A there are visible traces of correcting f1-g1 to f1-b1. Cf. bar 3.

category imprint: Corrections & alterations

issues: Corrections in A

b. 36

composition: Op. 10 No 7, Etude in C major

c repeated in A

c tied in FE (→GE,EE)
..

The tie sustaining c was added by Chopin in a proofreading of FE (→GE,EE), same as in analogous bar 3. 

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE