mUltimate Chopin

Op. 10 No 5, Etude in G♭ major

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Page: 
Source: 
p. 3, b. 45-64
p. 1, b. 1-23
p. 2, b. 24-44
p. 3, b. 45-64
p. 4, b. 65-85
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Articulation, Accents, Hairpins
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 61-62

Long accents in A, contextual interpretation

Short accents in A (literal reading) & FE (→GE,EE)

It is uncertain which type of accents Chopin had in mind. The signs in A, particularly the second, are clearly shorter than these in the R.H., yet in all analogous figures in bars 7, 15 and 27-28 A displays long accents.

Compare the passage in the sources»

category imprint: Graphic ambiguousness

issues: Long accents

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FED, FES, FEJ, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1
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