Page: 
Source: 
p. 2, b. 24-44
p. 1, b. 1-23
p. 2, b. 24-44
p. 3, b. 45-64
p. 4, b. 65-85
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Rhythm
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Articulation, Accents, Hairpins
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Fingering
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 43-44

Fingering in A (→FE)

GE

EE

Our variant suggestion

The fingering of A (→FE) in bar 44 was completed by Fontana in EE. Omission of the digit over the 4th note in bar 43 in GE is most probably a result of an oversight. The figuration in this bar requires a position of the hand whose fingering was changed by Chopin in bar 41. According to us, from the pianistic point of view, the extension of this correction's range is justified, therefore, in the main text we suggest two variants of the fingering.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Inaccuracies in GE

notation: Fingering

Missing markers on sources: A, FE1, FE2, FED, FES, FEJ, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1