mUltimate Chopin

Op. 10 No 5, Etude in G♭ major

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Page: 
Source: 
p. 1, b. 1-23
p. 1, b. 1-23
p. 2, b. 24-44
p. 3, b. 45-64
p. 4, b. 65-85
GE1 - First German edition
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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copy link PDF GE1 - First German edition

  b. 12

e3, more likely reading of A (→FE→GE1,EE2→EE3)

d3 in GE2 (→GE3→GE4→GE5) i EE4

In A the head of the note embraces the area of two notes, d3 and e3, which stems from the simplified probably hasty correction. In spite of this, in FE (→GE1,EE2→EE3) it was correctly interpreted as e3. However, the reviser of GE2 (→GE3→GE4→GE5) changed it to d3, which was accepted as legitimate also in EE4. 

See b. 4

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: EE revisions, Corrections in A, GE revisions

notation: Pitch

Missing markers on sources: GE1
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