Issues : Centrally placed marks
b. 34-35
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composition: Op. 10 No 5, Etude in G♭ major
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It seems to be highly unlikely that Chopin, at the time of adding in a proofreading of FE (→GE), wanted to indicate the scope of validity of the forte dynamics from the place it was put by the engraver. According to us, there are two possible explanations:
In the main text we suggest a solution stemming from the first possibility, as being closer to the source notation. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE , Centrally placed marks |
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b. 83
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composition: Op. 10 No 5, Etude in G♭ major
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at the beginning of the octave run certainly corresponds to a performance intended by Chopin. The notation of A is an instance of Chopin's using a convention of placing indications inside, and not at the beginning of the range in which they apply. category imprint: Differences between sources issues: Authentic corrections of FE , Centrally placed marks |