Rhythm
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b. 1
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composition: Op. 10 No 5, Etude in G♭ major
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In A there are visible traces of the time signature's change: from category imprint: Corrections & alterations issues: Changes of metre , Corrections in A |
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b. 1
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composition: Op. 10 No 5, Etude in G♭ major
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The indications of triplets are our addition. The digits, together with the slurs, were also added in the entire bar in GE4 (→GE5). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 4-12
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composition: Op. 10 No 5, Etude in G♭ major
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In A d category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Rhythmic errors , Errors of A , Authentic corrections of FE |
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b. 8
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composition: Op. 10 No 5, Etude in G♭ major
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In A the first chord in the L.H. is a crotchet. The possible mistake (theoretically it could be considered as a simplified two-voice notation) was corrected in FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: Rhythmic errors , Errors of A , Authentic corrections of FE |
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b. 41-43
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composition: Op. 10 No 5, Etude in G♭ major
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In bars 41 and 43 A has the original version of the rhythm, corrected by Chopin in FE (→GE,EE). Moreover, in bar 41 the notation of A is erroneous, as there are no dots next to the crotchet on the 2nd quaver in the bar extending its value. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Rhythmic errors , Errors of A , Authentic corrections of FE |
to 2/4. This may mean that there was a working notation of the Etude in two-time longer rhythmic values (cf. bars 4-12 and 8).
in bars 4 and 12 is a dotted minim. The mistake, corrected in 
