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Issues : Authentic corrections of FE
b. 17-22
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composition: Op. 10 No 5, Etude in G♭ major
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According to us, three In A the b
category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: Long accents , Corrections in A , Accompaniment changes , Authentic corrections of FE |
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b. 17-22
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composition: Op. 10 No 5, Etude in G♭ major
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We think that the slur added by Chopin in a proofreading of FE (→GE,EE) should be interpreted as the articulation model for the next pairs of quavers. Perhaps Chopin thought that the long accents alone are enough to suggest a correct performance. In order to avoid doubts, in the main text we suggest to complete the slurs. The additions, to a slightly greater extent, were also performed in EE3 (→EE4); according to us, the version can be considered as an alternative proposal of the authentic notation's development. category imprint: Differences between sources; Editorial revisions issues: Authentic corrections of FE |
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b. 17-18
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composition: Op. 10 No 5, Etude in G♭ major
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The missing naturals raising c category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of FE , Last key signature sign |
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b. 19-21
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composition: Op. 10 No 5, Etude in G♭ major
category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 19-20
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composition: Op. 10 No 5, Etude in G♭ major
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In A only the following bass notes: d category imprint: Differences between sources issues: Authentic corrections of FE |