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Issues : GE revisions
b. 16
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composition: Op. 10 No 5, Etude in G♭ major
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The category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE , No pedal release mark |
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b. 21
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composition: Op. 10 No 5, Etude in G♭ major
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The staccato dot under A category imprint: Differences between sources issues: GE revisions |
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b. 24
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composition: Op. 10 No 5, Etude in G♭ major
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In the main text we give the wedge written over the 1st quaver in A (→FE→GE1,EE). From GE2 on, the sign was changed into a dot. In all GE,s a dot over the chord on the 2nd quaver was also added. category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 24-27
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composition: Op. 10 No 5, Etude in G♭ major
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The pedalling added by Chopin in a proofreading of FE is inaccurately written, probably due to the lack of space in tightly packed text on the page. It resulted in different attempts of interpretation by the engravers of GE and EE. In the main text we interpret the pedalling of FE as the natural harmonic pedalling, in accordance with the one which was undeniably marked in bars 29-30. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Inaccuracies in GE , GE revisions , EE inaccuracies , Authentic corrections of FE |
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b. 25-26
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composition: Op. 10 No 5, Etude in G♭ major
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In A the slurs running from the beginning of these bars reach g category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |