Issues : Authentic corrections of FE
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b. 49-54
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composition: Op. 10 No 5, Etude in G♭ major
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The staccato dots in bars 49-51 and 53-54 were added by Chopin in a proofreading of FE (→GE,EE). In A there are only two wedges at the beginning of bars 50 and 54. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 50-54
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composition: Op. 10 No 5, Etude in G♭ major
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The pedal marks in bars 50 and 54 were added by Chopin in a proofreading of FE (→GE1). Lack of category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE , No pedal release mark |
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b. 50-54
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composition: Op. 10 No 5, Etude in G♭ major
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Chopin removed the lower notes of the chords on the 2nd and 3rd quavers in bars 50 and 54 while proofreading FE (→GE,EE). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 51
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composition: Op. 10 No 5, Etude in G♭ major
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In the main text we give the pedalling added by Chopin in a proofreading of FE (→GE,EE). As an alternative we suggest the indications of FE – also based on Chopin's proofreading – from analogous bar 3. category imprint: Interpretations within context; Corrections & alterations issues: Authentic corrections of FE |
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b. 52
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composition: Op. 10 No 5, Etude in G♭ major
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In the main text we give the pedalling of FE (→GE,EE), based on Chopin's entry in the proof copy of FE. An alternative suggestion is the version (also being a result of Chopin's proofreading in FE) included in analogous bars 4 and 12. category imprint: Interpretations within context issues: Authentic corrections of FE |
in bar 54 seems to be a result of an oversight, therefore, we add it under the 2nd quaver (the main text, after the pedalling of 
in 
