mUltimate Chopin

Op. 10 No 11, Etude in E♭ major

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Page: 
Source: 
p. 3, b. 36-54
p. 1, b. 1-15
p. 2, b. 16-35
p. 3, b. 36-54
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
Select notes: 
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
Importance
All
Important
Main
Undo Clear
Prezentacja
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  b. 52

No 8va sign in A (→FE→EE3)

With 8va sign in GE (→EE3)

The correctness and authenticity of the version of A (→FE→EE3) are undeniable, therefore we adopt it in the main text. The version of GE (and EE4), in spite of the fact that from the pianistic point of view it seems to be more natural, may be attributed to the reviser, as Chopin's possible intervention in the shape of GE1 is highly unlikely.

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category imprint: Differences between sources

issues: GE revisions, Authentic corrections of GE

notation: Pitch

Missing markers on sources: FE1, A, FE2, FED, EE3, EE4, FEJ, FES, GE1, GE2, GE3, GE4
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