Page: 
Source: 
p. 3, b. 36-54
p. 1, b. 1-15
p. 2, b. 16-35
p. 3, b. 36-54
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Pitch
Rhythm
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Pedalling
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 44-47

No signs in A

 in FE

 in GE & EE

Our suggestion

The  marks written in A in bars 44 and 46 mean – same as in bar 33 – pedale come prima. Due to the fact that in analogous bars 25-28 Chopin marked a detailed pedalling, in the main text we suggest an addition based on these indications. The  marks appearing in the editions are certainly an addition of engravers or revisers.

See b. 33-34

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions, GE revisions, FE revisions, No pedal release mark

notation: Pedalling

Missing markers on sources: FE1, A, FE2, FED, EE3, EE4, FEJ, FES, GE1, GE2, GE3, GE4