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p. 2, b. 16-35
p. 1, b. 1-15
p. 2, b. 16-35
p. 3, b. 36-54
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 24

Between the 5th and 6th quavers in A one can see an unnaturally big gap and traces of deletion of something which had been written there. According to us, it could have been an originally envisaged additional chord, e.g., A-f-c1 in the L.H. and f1-c2-f2 in the R.H. It is striking that it does not seem that the deleted chord was supposed to be the last one in the bar, replaced then by another one – originally the bar included seven chords, the penultimate of which was eventually removed. 

Compare the passage in the sources »

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A

notation: Pitch

Missing markers on sources: FE1, A, FE2, FED, EE3, EE4, FEJ, FES, GE1, GE2, GE3, GE4