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p. 2, b. 16-35
p. 1, b. 1-15
p. 2, b. 16-35
p. 3, b. 36-54
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FE2 - Corrected impression of FE1
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FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 17-21

In bar 17 we add cautionary naturals before f1 and f2. In bar 19, in a similar situation, the signs are already included in A.

In bar 17 in A there is a visible trace after the change of the lower note of the 3rd chord in the R.H. from g1 to f1. Chopin introduced similar changes also in bars 19 and 21. Cf. bar 22.

Compare the passage in the sources»

category imprint: Editorial revisions; Corrections & alterations

issues: Corrections in A, Cautionary accidentals

notation: Pitch

Missing markers on sources: FE1, A, FE2, FED, EE3, EE4, FEJ, FES, GE1, GE2, GE3, GE4