Page: 
Source: 
p. 1, b. 1-15
p. 1, b. 1-15
p. 2, b. 16-35
p. 3, b. 36-54
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 8-9

In the main text we adopt the quaver tie system applied by Chopin in A. In FE (→GE,EE) the ties in the L.H. may have been changed due to graphic difficulties, embracing three last quavers in bar 8 with one tie and providing the 1st quaver in bar 9 with a stem. In GE3 a similar tie system was applied in bar 8 also in the case of the R.H. 

Compare the passage in the sources »

category imprint: Source & stylistic information

issues: Inaccuracies in FE, GE revisions

notation: Rhythm

Missing markers on sources: FE1, A, FE2, FED, EE3, EE4, FEJ, FES, GE1, GE2, GE3, GE4