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p. 1, b. 1-15
p. 1, b. 1-15
p. 2, b. 16-35
p. 3, b. 36-54
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FE - French edition
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FE2 - Corrected impression of FE1
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FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
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EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 7-15

e1 in A

f1 & e1 in FE (→GE,EE)

f1 & f1 proposed by the editors

The change of the inner note in the 4th chord in bar 7 from e1 written in A to ffeatured in FE (→GE,EE) is most probably a result of Chopin's correction. The composer could have striven for a smoother combination of this chord with the next one, without a progression of parallel fifths. According to us, the correction intentionally concerns also two repetitions of this place, in bars 15 and 39 (Chopin omitted one of a few similar places at the time of proofreading on a number of occasions, e.g., in the Etude in G major, No. 5, bar 4).  

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Authentic corrections of FE, Omitted correction of an analogous place

notation: Pitch

Missing markers on sources: FE1, A, FE2, FED, EE3, EE4, FEJ, FES, GE1, GE2, GE3, GE4