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p. 1, b. 1-15
p. 1, b. 1-15
p. 2, b. 16-35
p. 3, b. 36-54
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
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FES - Stirling copy
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GE1 - First German edition
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GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 10-15

In A these 6 bars are written in an abbreviated form, being the repetition of bars 2-7. In bar 10 Chopin additionally wrote the notes of the part of the R.H., perhaps in order to facilitate the identification of the bar from which the copying should start. In "empty" bars 10-15 Chopin wrote exact hints like "as the 2nd bar of the beginning," yet he did not number the written out bars 2-7. The numeration written in pencil (the digits from 1 to 5 both over bars 3-7 and 11-15), probably by the engraver, proves that Chopin's description was not sufficient.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Abbreviated notation of A

notation: Shorthand & other

Missing markers on sources: FE1, A, FE2, FED, EE3, EE4, FEJ, FES, GE1, GE2, GE3, GE4