Page: 
Source: 
p. 2, b. 16-35
p. 1, b. 1-15
p. 2, b. 16-35
p. 3, b. 36-54
GE - German edition
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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copy link PDF GE - German edition


  b. 16-23

Wedges in A

Dots in FE (→GE,EE)

The chords at the beginning of bars 16, 17, 19 and 21-23 in A are provided with clear wedges (the mark in bar 17 discussed separately would not be obvious, yet in the context of the remaining ones it does not raise any doubts). In spite of this, in the editions all these marks were reproduced as dots. According to us, it is an inaccuracy of the engraver who was not familiar enough with the details of Chopin's notation.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in FE, Wedges

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, A, FE2, FED, EE3, EE4, FEJ, FES, GE1, GE2, GE3, GE4