Page: 
Source: 
p. 2, b. 16-35
p. 1, b. 1-15
p. 2, b. 16-35
p. 3, b. 36-54
FE - French edition
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Notation
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Rhythm
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Articulation, Accents, Hairpins
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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copy link PDF FE - French edition


  b. 28

  in A

 in FE (→GE,EE

Both dynamic indications included in the sources in this bars are dubious.  written by Chopin in A doubles, in a sense, dolcissimo concerning the same motif. Both indications have a very similar meaning and they are often used interchangeably in music. In FE (→GE,EE) instead of  there is  which, in this situation, complicates even more guessing the intended by Chopin way of performing this motif. In the main text we give the indication of the autograph due to is unquestionable authenticity. 

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category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Inaccuracies in FE, Authentic corrections of FE

notation: Verbal indications

Missing markers on sources: FE1, A, FE2, FED, EE3, EE4, FEJ, FES, GE1, GE2, GE3, GE4