Page: 
Source: 
p. 1, b. 1-15
p. 1, b. 1-15
p. 2, b. 16-35
p. 3, b. 36-54
FE1 - First French edition
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 2-14

Wedges in A

Dots in FE

GE & EE

In bars 2-3, 5-6, 10-11 and 13-14 in the main text, we give undeniable wedges written in A (in comparison, Chopin's dots may be seen over the bass notes in bars 1, 5 and analog.). In FE a part of the marks was omitted (in bars 3, 10 and 11) and the rest was interpreted as dots. The changes, according to us, are of a clearly arbitrary nature. GE and EE generally repeat the version of FE, yet they include a dot also in bar 3.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in FE, GE revisions, Wedges

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, A, FE2, FED, EE3, EE4, FEJ, FES, GE1, GE2, GE3, GE4