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Issues : Errors in FE
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b. 49
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composition: Op. 10 No 11, Etude in E♭ major
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Lack of c1 in the 5th chord is most probably a result of an oversight of the engraver of FE (→GE,EE). Although in FE there are visible traces of corrections in this chord, yet the a note was deleted, probably printed by mistake instead of f. In the main text we give the unequivocal version of A, compliant with analogous bar 48. category imprint: Differences between sources issues: Errors in FE , Errors resulting from corrections , Terzverschreibung error , Uncertain notes on ledger lines |
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b. 50
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composition: Op. 10 No 11, Etude in E♭ major
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The traces of corrections, visible in FE, allow to conclude that b category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error , Authentic corrections of FE |
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b. 51
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composition: Op. 10 No 11, Etude in E♭ major
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Lack of the tie sustaining g2 in FE1 (→GE,EE) is certainly an oversight, as it is proved by the addition of the sign in FE2. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 53-54
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composition: Op. 10 No 11, Etude in E♭ major
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In FE the category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , No pedal release mark |
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b. 54
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composition: Op. 10 No 11, Etude in E♭ major
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According to us, the omission of category imprint: Differences between sources issues: Errors in FE |
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