Page: 
Source: 
p. 2, b. 19-33
p. 1, b. 1-18
p. 2, b. 19-33
p. 3, b. 34-50
p. 4, b. 51-68
p. 5, b. 69-84
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Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 27-28

Short slur in A

Longer slur in FE (→GE)

Longest slur in EE

In A the slur embraces only the last semiquaver in bar 27 and the chord ending the phrase in bar 28. In FE (→GE), probably due to Chopin's proofreading, the slur is over the 2nd half of bar 27. In EE the slur was extended to the beginning of bar 28, which we consider to be the most accurate global interpretation of the composer's intention, including the ideas of the slur of both A and FE.

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category imprint: Differences between sources

issues: Authentic corrections of FE, Uncertain slur continuation

notation: Slurs

Missing markers on sources: FE1, FE2, FED, FEJ, FES, A, GE1, GE2, GE3, GE4, EE3, EE4