Page: 
Source: 
p. 1, b. 1-18
p. 1, b. 1-18
p. 2, b. 19-33
p. 3, b. 34-50
p. 4, b. 51-68
p. 5, b. 69-84
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 5

in A, contextual interpretation

No indication in FE (→GE,EE

Our variant suggestion

Not being certain whether the lack of sempre legato in FE (→GE,EE) is accidental, we give the indication in brackets. In bars 45-46 the analogous passage is embraced with slurs in all sources, which indirectly confirms the legato articulation also in this case. In spite of the fact that the indication in A begins only in the 2nd group of semiquavers, its binding force from the beginning of the passage is undeniable.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in FE, Centrally placed marks

notation: Verbal indications

Missing markers on sources: FE1, FE2, FED, FEJ, FES, A, GE1, GE2, GE3, GE4, EE3, EE4