Page: 
Source: 
p. 3, b. 34-50
p. 1, b. 1-18
p. 2, b. 19-33
p. 3, b. 34-50
p. 4, b. 51-68
p. 5, b. 69-84
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Differences between sources
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
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Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 40

No fingering in A

Fingering in FE (→GE

Fingering in EE

Fingering written into FED

Our variant suggestion

The fingering of FE (→GE) is certainly authentic, as Chopin added it while proofreading FE. The same fingering, completed in the lowest octave by Fontana, is given in EE. However, in FED there is another one written next to the non-removed printed fingering, which is undoubtedly supposed to replace it. The second fingering allows for omitting a wider position between the 3rd and 4th fingers, which could be problematic. In the main text we include both authentic fingerings.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Annotations in teaching copies, EE revisions, Annotations in FED, Authentic corrections of FE

notation: Fingering

Missing markers on sources: FE1, FE2, FED, FEJ, FES, A, GE1, GE2, GE3, GE4, EE3, EE4