Page: 
Source: 
p. 2, b. 19-33
p. 1, b. 1-18
p. 2, b. 19-33
p. 3, b. 34-50
p. 4, b. 51-68
p. 5, b. 69-84
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
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Pedalling
Fingering
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 27-28

Fingering in A

Fingering in FE (→GE)

Fingering in EE

Our variant suggestion

Bar 27 is one of two bars in which the fingering is already included in A. It was repeated and completed in FE (→GE,EE), yet with one exception – the last digit in A is written under the penultimate note and in the editions – under the last one. According to us, the engraver's error is a more possible explanation than Chopin's correction. Therefore, in the main text we consider both possibilities, however, we give preference to the undoubtedly authentic version of A.
In EE one digit was added. 

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Authentic corrections of FE

notation: Fingering

Missing markers on sources: FE1, FE2, FED, FEJ, FES, A, GE1, GE2, GE3, GE4, EE3, EE4