Page: 
Source: 
p. 1, b. 1-18
p. 1, b. 1-18
p. 2, b. 19-33
p. 3, b. 34-50
p. 4, b. 51-68
p. 5, b. 69-84
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Rhythm
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 15-16

No fingering in A

Fingering in FE (→GE

Fingering in EE

Our suggestion

In the main text we give the fingering added by Chopin in a proofreading of FE (→GE), completed with Chopin's fingering of identical figures in the further section of the Etude, in this case in bar 55 (cf. General Editorial Principlesp. 17). In EE Fontana developed the fingering of FE, adding the hints in the descending section of the passage and repeating the fingering in subsequent similar figures. 

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Authentic corrections of FE

notation: Fingering

Missing markers on sources: FE1, FE2, FED, FEJ, FES, A, GE1, GE2, GE3, GE4, EE3, EE4