mUltimate Chopin

Op. 10 No 12, Etude in C minor

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Page: 
Source: 
p. 1, b. 1-18
p. 1, b. 1-18
p. 2, b. 19-33
p. 3, b. 34-50
p. 4, b. 51-68
p. 5, b. 69-84
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Fingering
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 7-9

No fingering in A

Fingering in FE (→GE)

Fingering in EE

In the main text we give the fingering added by Chopin in a proofreading of FE (→GE). Fontana added it in EE in a way which can be considered as naturally stemming from Chopin's hints (although certainly not the only one in the 2nd half of bar 8). 

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Authentic corrections of FE

notation: Fingering

Missing markers on sources: FE1, FE2, FED, FEJ, FES, A, GE1, GE2, GE3, GE4, EE3, EE4
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