mUltimate Chopin

Op. 10 No 12, Etude in C minor

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Page: 
Source: 
p. 5, b. 69-84
p. 1, b. 1-18
p. 2, b. 19-33
p. 3, b. 34-50
p. 4, b. 51-68
p. 5, b. 69-84
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 75

b (without ) in A (→FE→GE1,EE3)

b in GE2 (→GE3→GE4) & EE4

b with , our suggestion

The fact that the  added in GE2 (→GE3→GE4) does not correspond to Chopin's intention is revealed by the melodic analogy in bars 18 and 58, which in the authentic sources are also devoid of , and, additionally, by Chopin's fingering.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Pitch

Missing markers on sources: FE1, FE2, FED, FEJ, FES, A, GE1, GE2, GE3, GE4, EE3, EE4
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