Page: 
Source: 
p. 2, b. 19-33
p. 1, b. 1-18
p. 2, b. 19-33
p. 3, b. 34-50
p. 4, b. 51-68
p. 5, b. 69-84
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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copy link PDF A - Autograph


  b. 27

f2 in chord in A, GE & EE

g2 in chord in FE

The chord in FE – with g2 – may be a result of Chopin's correction introduced in the last phase of proofreading of FE. This would explain the presence of a chord with f2 in GE but not in EE in which either a mistake (?) was committed or a revision was performed. In addition, it cannot be excluded that the revision was implemented both in EE and GE, which seems to be indicated by certain traces suggesting moving the natural before this chord. If this was the case, the version of FE could have been not a result of Chopin's proofreading, yet a simply unnoticed error of the engraver. In the main text we give the undoubtedly authentic text of A, GE and EE. However, we consider the version of FE to be equal, as it could have been an expression of Chopin's final decision.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

notation: Pitch

Missing markers on sources: FE1, FE2, FED, FEJ, FES, A, GE1, GE2, GE3, GE4, EE3, EE4