Issues : Authentic corrections of FE
|
b. 68
|
composition: Op. 10 No 12, Etude in C minor
..
The cautionary natural before f was added in a proofreading of FE (→GE,EE), most probably by Chopin. category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of FE |
|||||||||||
|
b. 70
|
composition: Op. 10 No 12, Etude in C minor
..
Lack of the slur over the 2nd half of the bar in A is certainly Chopin's oversight, corrected in FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |
|||||||||||
|
b. 72
|
composition: Op. 10 No 12, Etude in C minor
..
In the main text we give the fingering added by Chopin in a proofreading of FE (→GE). We do not include the specifying additions introduced by Fontana to EE. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
|||||||||||
|
b. 73-76
|
composition: Op. 10 No 12, Etude in C minor
..
In the main text we give the fingering added by Chopin in a proofreading of FE (→GE). In bars 73-74 we also add specifying entries made by Chopin in FED. However, we do not include this kind of additions performed by Fontana in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Authentic corrections of FE |
|||||||||||
|
b. 73
|
composition: Op. 10 No 12, Etude in C minor
..
Most probably Chopin added the staccato dot in a proofreading of FE (→GE,EE). In A the reason for its omission could be a mistake whose correction required rewriting the entire bar. category imprint: Differences between sources; Corrections & alterations issues: Errors resulting from corrections , Authentic corrections of FE |
before the 12th note in the L.H. The unnecessary in this context accidental was removed in 
