mUltimate Chopin

Op. 10 No 1, Etude in C major

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Page: 
Source: 
p. 1, b. 1-11
p. 1, b. 1-11
p. 2, b. 12-26
p. 3, b. 27-37
p. 4, b. 38-51
p. 5, b. 52-66
p. 6, b. 67-79
Main text
Main text
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 1

No indication in CLI

 in FE (→GE1→GE2­→GE3­→GE4, →EE) 

Our suggestion (GE5)

The  indication in FE (→GE1→GE2→GE3→GE4, →EE) seems to concern only the semiquavers in the R.H. According to us, as it is hard to suppose that the long resounding octaves in the L.H. were to be played in different dynamics, it should be assumed as an inaccuracy of the notation. A respective change was also introduced in GE5. See also bar 45.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Centrally placed marks

notation: Verbal indications

Missing markers on sources: GE1
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