mUltimate Chopin

Op. 10 No 1, Etude in C major

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Page: 
Source: 
p. 2, b. 12-26
p. 1, b. 1-11
p. 2, b. 12-26
p. 3, b. 27-37
p. 4, b. 38-51
p. 5, b. 52-66
p. 6, b. 67-79
CLI - Copy by Linowski
Main text
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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copy link PDF CLI - Copy by Linowski

  b. 12-25

The sources differ in the details of notation of accidentals in figures which are repeated in various octaves.
In CLI the  raising d into d is present only in front of the 1st note in bar 22, whereas in bar 25 a  in front of c3 was additionally inserted also in the 4th group of semiquavers.
In FE (→GE1,→EE2,→EE3) there are no  in the 2nd group of semiquavers in bars 12, 22 and 24. In the remaining editions, a  was added in bar 12, while in GE4 (→GE5) also in bars 22 and 24. 

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves

notation: Pitch

Missing markers on sources: GE1
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