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Issues : GE revisions
b. 47-48
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composition: Op. 10 No 1, Etude in C major
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In CLI and FE (→GE1→GE2→GE3,→EE) there is no category imprint: Source & stylistic information issues: Accidentals in different octaves , GE revisions |
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b. 53-66
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composition: Op. 10 No 1, Etude in C major
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In bars 53-56, 59, 61-63 and 65-66 in the main text we give Chopin's pedalling on the basis of FE (→GE,EE). In bars 57-58 FE (→GE1→GE2,EE) has one pedal, which we adopt to the main text. In GE3 (→GE4→GE5) there was added an arbitrary change of pedal at the transition of these bars. category imprint: Differences between sources issues: GE revisions |
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b. 54-66
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composition: Op. 10 No 1, Etude in C major
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In the sources there is a number of discrepancies in the notation of accidentals. They result from unnamed and changing over the time rules concerning the accidentals' validity and they do not influence the interpretation of the text. The layout of the accidentals adopted in the main text is present in GE4 (→GE5). category imprint: Source & stylistic information issues: EE revisions , Accidentals in different octaves , GE revisions |
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b. 60
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composition: Op. 10 No 1, Etude in C major
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In this context lack of category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 62-64
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composition: Op. 10 No 1, Etude in C major
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The undoubtedly authentic fingering of FE, given in the main text, was completed by Fontana in EE by adding his own alternative proposals. In bar 63 at the beginning of the 2nd group of semiquavers, an obvious mistake was committed by placing the indication of the 1st finger over d1. In GE the digit '5' over the 5th note in bar 62 was added. category imprint: Differences between sources issues: EE revisions , GE revisions |