Issues : Accompaniment changes
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b. 45-46
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composition: Op. 10 No 1, Etude in C major
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CLI most probably preserves the original version of these bars. category imprint: Differences between sources issues: Accompaniment changes |
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b. 47-50
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composition: Op. 10 No 1, Etude in C major
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The version of CLI is undoubtedly earlier and less developed. In FE (→EE), and partially also in GE1 and GE2 (→GE3), the octaves in the L.H. are written in an abbreviated form. category imprint: Differences between sources issues: Accompaniment changes , Abbreviated octaves' notation |
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b. 65-66
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composition: Op. 10 No 1, Etude in C major
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The version of CLI is definitely original. In the main text we give the more subtle version of FE (→GE,EE; in EE2 without the tie sustaining E). category imprint: Differences between sources; Source & stylistic information issues: Errors in EE , Accompaniment changes , Abbreviated octaves' notation |
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b. 69-70
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composition: Op. 10 No 1, Etude in C major
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The sustained octave in CLI is certainly the original version of the bass line. category imprint: Differences between sources issues: Accompaniment changes , Abbreviated octaves' notation |
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b. 71
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composition: Op. 10 No 1, Etude in C major
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The single C note is an undeniable improvement introduced into FE (→GE,EE) – it refers to modifications in bars 69-70. category imprint: Differences between sources issues: Accompaniment changes |
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