Page: 
Source: 
p. 4, b. 29-38
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
Main text
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Articulation, Accents, Hairpins
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CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 30-32

Two single slurs in CLI

Double & single slurs in Ap

FE (→EE2EE3)

GE1 (→GE1aGE2GE3)

GE4 (→GE5) & EE4

In all sources there are slurs combining tritons with the following octaves (some of them or all). Two slurs in CLI are the only performance markings in this manuscript. In the authentic sources the double slurs do not appear next to all four pairs of two-note chords, however, there are reasons to think that it may be an inaccuracy of the notation. Therefore, in the main text we propose such homogeneous notation, already introduced in EE4 and GE4 (→GE5).

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category imprint: Interpretations within context; Differences between sources

issues: EE revisions, GE revisions, Authentic corrections of FE

notation: Slurs

Missing markers on sources: GE1