Page: 
Source: 
p. 3, b. 19-28
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
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CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 25-26

Two  signs in Ap

 in FE (→GE)

Accent in EE2, interpretation

Two accents in EE3 (→EE4), interpretation

The  hairpins added in one of the later proofreadings of FE (→GE) should be, according to us, interpreted as diminuendo (in pair with the  sign in the previous bar). However, it must be said that FE also reproduces a few unequivocal long accents in a similar way. This is exactly how the sign was understood in EE and, moreover, in EE3 (→EE4) a similar accent was arbitrarily added in analogous place in bar 26.
Ap has  in both bars, while in bar 25 the sign is put clearly earlier than in FE.

See b. 19

Compare the passage in the sources»

category imprint: Differences between sources

issues: Authentic corrections of FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: GE1