Page: 
Source: 
p. 3, b. 19-28
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
Main text
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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Fingering
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No differences
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 25-26

No fingering in CLI & Ap

Double fingering in FEcor (interpretation)

Fingering in FE (→GE,EE

In FEcor, apart from the '1' digit over the last e2 in bar 25 and '2-5' for the g2-e3 sixth at the beginning of bar 26, Chopin also wrote two '4' digits. The digits were not included in FE (→GE,EE), which may have stemmed from a misunderstanding. According to us, Chopin wanted to indicate an alternative fingering in this way, which we suggest in this form in the main text.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in FE, Authentic corrections of FE

notation: Fingering

Missing markers on sources: GE1