mUltimate Chopin

Op. 10 No 2, Etude in A minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 19-28
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
Main text
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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No differences
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 25-26

No fingering in CLI & Ap

Double fingering in FEcor (interpretation)

Fingering in FE (→GE,EE) 

In FEcor, apart from the '1' digit over the last e2 in bar 25 and '2-5' for the g2-e3 sixth at the beginning of bar 26, Chopin also wrote two '4' digits. The digits were not included in FE (→GE,EE), which may have stemmed from a misunderstanding. According to us, Chopin wanted to indicate an alternative fingering in this way, which we suggest in this form in the main text.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in FE, Authentic corrections of FE

notation: Fingering

Missing markers on sources: GE1
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