Page: 
Source: 
p. 1, b. 1-8
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
Ap - Presentation autograph
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Importance
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Important
Main
Prezentacja
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copy link PDF Ap - Presentation autograph


  b. 1-5

 in Ap

cresc. in FEcor (in bars 5-6 cresc. - - -)

cresc. in FE (→GE,EE)

Our suggestion

Chopin wrote the cresc. indications in bars 1 and 5 in FEcor, at the second time he also wrote the dashes determining the scope of the dynamic change (similarly in bar 9). The dashes were, however, not included in FE (→GE,EE). It is most probably an oversight, quite often in first editions of Chopin's works (cf., e.g., the Impromptu in A major, Op. 29, bars 21-22 or the Mazurka in B minor, Op. 24 No. 4, bars 47-49). In Ap in both places there are  hairpins, which can be considered as an alternative dynamic marking.

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category imprint: Differences between sources

issues: Inaccuracies in FE, Authentic corrections of FE

notation: Verbal indications

Missing markers on sources: GE1