mUltimate Chopin

Op. 10 No 2, Etude in A minor

Text Compare Notes Sources Description

Issues : Accompaniment changes

b. 12

composition: Op. 10 No 2, Etude in A minor

f in CLI

f in Ap & FE (→GE,EE) 
..

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes

b. 12

composition: Op. 10 No 2, Etude in A minor

Crotchets in CLI & Ap

Different values in FE (→GE,EE) 
..

Same as in bar 4, the rhythm's corrections written in FEcor confirm that the crotchets in CLI and Ap is the original version, changed by Chopin in all three analogous places (also in bar 39).

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Authentic corrections of FE

b. 15

composition: Op. 10 No 2, Etude in A minor

Second in CLI

d3 in Ap & FE (→GE,EE) 
..

In the lower voice CLI has the d3-e3 second. This original version was not entirely forgotten by Chopin during proofreading of FE, which is proved by adding and then deleting e3 in FEcor. Cf. bar 42.

category imprint: Differences between sources

issues: Chopin's hesitations , Accompaniment changes

b. 16-18

composition: Op. 10 No 2, Etude in A minor

Semiquavers in CLI & FE (→GE,EE) 

Semiquavers & crotchets in Ap
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See bars 11-12.

category imprint: Differences between sources; Corrections & alterations

issues: Chopin's hesitations , Accompaniment changes

b. 16

composition: Op. 10 No 2, Etude in A minor

Crotchets in CLI & Ap

Quavers & rests in FE (→GE,EE) 
..

In FEcor Chopin changed the crotchets in the L.H., included also in CLI and Ap, to quavers separated with rests. It is one of a few changes of this kind; similarly in analogous bar 43.

category imprint: Differences between sources

issues: Accompaniment changes , Authentic corrections of FE