GE1a
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
compare
  b. 33-34

No signs in CLI & EE2

 in Ap

 in FEcor

 in FE

 in GE1 (→GE2)

 in GE3 (→GE4GE5)

 in EE3 (→EE4)

The sources differ in the range of  entries. Chopin's entries in Ap and FEcor do not show significant differences, in the main text we give the version of FEcor. In finished FE the hairpins in bar 33 were shortened, the version was reproduced in EE with insignificant displacements (except for EE2, where both signs were omitted). It is GE that displays the greatest differences in comparison with the base text: the hairpins in bar 33 actually correspond to authentic signs, yet the sign in bar 34 in GE1 (→GE2) was arbitrarily prolonged, which distorted its meaning, whereas in GE3 and subsequent ones – it was totally omitted.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in FE, Errors in EE, Errors in GE, GE revisions

notation: Articulation, Accents, Hairpins

Go to the music

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Original in: The Fryderyk Chopin Museum, Warsaw