Page: 
Source: 
p. 5, b. 53-66
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-66
p. 6, b. 67-79
p. 7, b. 80-95
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Articulation, Accents, Hairpins
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 55-56

No slurs in A

Slurs in FE (→GE1)

EE

GE2 (→GE3GE4)

The slurring in the L.H. in bar 55 was added by Chopin during a proofreading of FE (→GE,EE). Lack of relevant addition in bar 56 in FE (→GE1) must be considered as the composer's oversight. The slurs modeled on the slurs in the R.H. were added in GE2 (→GE3GE4), while EE repeats the slurring of the previous bar (see also the note to bar 56). In the main text we suggest the first solution, as undoubtedly more accurate – cf. bar 54. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Authentic corrections of FE

notation: Slurs

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4